Showing posts with label alix olsen. Show all posts
Showing posts with label alix olsen. Show all posts

Wednesday, October 17, 2007

In response to Alix Olson's "That the protagonist is always a man" poem

That mothers are being sold
That Asian mothers are being sold
That Asian sisters are wanting to be sold
That everyone loves an Asian Girl

That exotic is the new black
That my computer spell-checks "exoticization"
That it's okay for outsourcing "her"

That Michelle Malkin may consider herself one of "us"
That she "feels ashamed of her parent's native homeland"
That she "fells ashamed of her people"
that she looks like "us"

That we justify our war in Iraq to save the women
That patriarchy is justified

That Maganda and Malakas still justify beauty and strength in genderized roles
That Maganda isn't lalake
That Malakas isn't babae

That white is gold, that pale is god, that dark is dirty

That the yahoo results for "asian bridge" still comes up with mail-order bride sites
That Asian sistas still believe that it's okay to sell yourselves
That sistas still sell themselves

That our government still allows our ovaries to be controlled by laws.
That our governor said, "girly man"
That our vagina's are being sown shut

That.

That is why I am a feminist.

Alix Olsen: Subtle Sister

So we’ve learned karate,
carry knives on our runs
wield words like weapons
prepare glares-like hidden guns,
we’ve deconstructed, demystified
tried retribution, remythologized,
we’ve been diagnosed with your diseases,
and still tried pleases, tried tears, tried Jesus.

You wanna see what it’s like down here
in this pool of someone else’s rules, well
jump in, take a swim or just sit in this pit
squishing bare toes in someone else’s bullshit,
we do it all the time.

Still we’ve tried being patient,
collected, calm, nice
trying praying, tried laying you
paying the price,
we’ve learned to scream
until our throats throbbed
what else do you do
while your cunt’s being robbed.

And they say “you’ve made progress, girls,
take a rest in-between”
but see while you’re resting,
someone else is progressing,
it’s what i’ve seen.
So i take back the whispers,
the cute mute act,
and the high pitched giggles, yeah
i take them back,
i won’t avoid your stare, evade your step,
nothing of that kind,
won’t help you help me victimize
the only space that’s mine.

See now I’d put my life on the line just to see them trip,
frown and say “funny love, i never saw you slip.”
i say, “my life on the line-”
you say “man, she’s jaded.”
i say, “maybe control’s overrated.”
like when we cackled, they called us witches,
now we don’t giggle they call us bitches
well I’m cacklin loud, taking it back, full of hiss,
cacklin loud, cackling proud now.

And they’re getting nervous with this kissing each other,
scratching their heads,
whats going on brother
and they yell feed your husband, stop feeding the fire!
and we just cackle,
we’re a fuckin witches choir.
and we sing “sharpen your knives, sharpen your daughters
steam up the mirrors, bake us some dreams,
cook up some riots, fry up some screams,
and when you’re sick of your skirts
slice open the seams
cause they want domestics,
theyll give us needle and thread
for patching their egos.
we’ll sow revolution instead.”

And i hear you saying
“subtle, sister,
less bite, more bark
you can make your point without leaving such a mark.
subtle, sister,
stop your seething,
i think we got it, i think we’re even:”

subtle like a penis pounding its target?
subtle like your hissing from across the street?

subtle like the binding on my sisters’ feet?
subtle like her belly raped with his semen,
draped in his fuck, funny,
doesn’t seem even.

See, sometimes anger’s subtle, stocked in metaphor
full of finesse and dressed in allure
yes, sometimes anger’s subtle, less rage than sad
leaking slow through spigots you didn’t know you had.
and sometimes it’s just

fuck you.
fuck you.
you see, and to me,

That’s poetry too.